Harlots progress how to#

Verrocchio, David with the Head of Goliath.Nicola da Urbino, a dinner service for a duchess.Preparatory drawing during the Italian renaissance, an introduction.Toward the High Renaissance, an introduction.Sala dei Mesi (Hall of the Months) at Palazzo Schifanoia.Vittore Carpaccio, Miracle of the Relic of the Cross at the Rialto Bridge, and Black gondoliers.Giovanni Bellini and Titian, The Feast of the Gods.Gentile Bellini and Giovanni Bellini, Saint Mark Preaching in Alexandria.Gentile Bellini, Portrait of Sultan Mehmed II.Do you speak Renaissance? Carlo Crivelli, Madonna and Child.Aldo Manuzio (Aldus Manutius): inventor of the modern book.Devotional confraternities (scuole) in Renaissance Venice.Northern Italy: Venice, Ferrara, and the Marches.Alberti, Façade of Santa Maria Novella, Florence.Andrea della Robbia’s bambini at the Ospedale degli Innocenti, Florence.Orsanmichele and Donatello’s Saint Mark, Florence.Lorenzo Ghiberti, Gates of Paradise, East Doors of the Florence Baptistry.Filippo Brunelleschi and Lorenzo Ghiberti, Sacrifice of Isaac.Luca Signorelli, The Damned Cast into Hell.Portraits of the Duke and Duchess of Urbino.Perugino & Napoleon’s appropriation of Italian cultural treasures.Perugino, Christ Giving the Keys of the Kingdom to St.Mariko Mori on Botticelli’s The Annunciation.Dissecting Botticelli’s Adoration of the Magi.Fashion and a Portrait of a Young Woman.Portrait of a Man with a Medal of Cosimo il Vecchio de’ Medici.Antonio Pollaiuolo, Battle of Ten Nudes or ( Battle of Nude Men).Domenico Veneziano, Saint Lucy Altarpiece.Filippino Lippi’s Madonna and Child, an early image of enslaved people in renaissance Florence.Benozzo Gozzoli, The Medici Palace Chapel frescoes.Portrait of a Man and Woman at a Casement.The Annunciation and Life of the Virgin (c.Expulsion of Adam and Eve from Eden in the Brancacci Chapel.Tribute Money and Expulsion, Brancacci Chapel.Early applications of linear perspective.Linear Perspective: Brunelleschi’s Experiment.Illustrating a Fifteenth-Century Italian Altarpiece.

Harlots progress how to#

How to recognize Italian Renaissance art.

Elisha ben Abraham Cresques and the Farhi Bible.

Ferrer Bassa and the murals of Pedralbes.

Joshua ibn Gaon, a decorated Hebrew Bible (MS.

Nicola Pisano, Pulpit, Pisa Baptistery, and Giovanni Pisano, Slaughter of the Innocents, Pulpit, Sant’Andrea church, Pistoia (Italy).

Palazzo Pubblico frescos: Allegory and Effects of Good and Bad Government.

The Virgin and Child with Saints Dominic and Aurea.

Siena in the Late Gothic, an introduction.

The Ponte Vecchio (“Old Bridge”) in Florence.

Andrea Pisano, Reliefs for the Florence Campanile.

A rare embroidery made for an altar at Santa Maria Novella.

Giotto, Arena (Scrovegni) Chapel (part 4 of 4).

Giotto, Arena (Scrovegni) Chapel (part 3 of 4).

Giotto, Arena (Scrovegni) Chapel (part 2 of 4).

Giotto, Arena (Scrovegni) Chapel (part 1 of 4).

The Arena Chapel (and Giotto’s frescos) in virtual reality.

The Ognissanti Madonna and Child Enthroned.

Santa Trinita Madonna and Child Enthroned.Virgin and Child Enthroned, and Prophets (Santa Trinità Maestà).Dante’s Divine Comedy in Late Medieval and Early Renaissance art.Florence in the Late Gothic period, an introduction.The conservator’s eye: Taddeo Gaddi, Saint Julian.Renaissance Watercolours: materials and techniques.Confronting power and violence in the renaissance nude.Sex, Power, and Violence in the Renaissance Nude.An introduction to the renaissance nude.Introduction to gender in renaissance Italy.Images of African Kingship, Real and Imagined.The role of the workshop in Italian renaissance art.The status of the artist in renaissance Italy.Why commission artwork during the renaissance?.The Medieval and Renaissance Altarpiece.Expanding the Renaissance: a Smarthistory initiative.Classic, classical, and classicism explained.Beginner’s guide to the Early Modern period.Elena FitzPatrick Sifford on casta paintings Reframing Art History, a new kind of textbook.Not your grandfather’s art history: a BIPOC Reader.With 503 contributors from 201 colleges, universities, museums, and researchĬenters, Smarthistory is the most-visited art history resource in the world. We believe that the brilliant histories of art belong to everyone, no matter their background. At Smarthistory, the Center for Public Art History, we believe art has the power to transform lives and to build understanding across cultures.